Marquet, Woman, Child and Man from Behind

Albert MARQUET (1875-1947), Woman, Child and Man from Behind, ca. 1904, black ink on wove paper, 19.5 x 27.6 cm. © MuMa Le Havre / Charles Maslard — © ADAGP, Paris, 2013
Albert MARQUET (1875-1947)
Woman, Child and Man from Behind
ca. 1904
black ink on wove paper
19.5 x 27.6 cm
© MuMa Le Havre / Charles Maslard — © ADAGP, Paris, 2013
HD image
From the time he studied at the École des Arts Décoratifs, alongside Matisse and Camoin in particular, Albert Marquet (1875–1947) escaped to the streets of Paris and its living theatre. He studied at the École des Beaux-Arts under Gustave Moreau, who encouraged him to pursue his work outdoors. Seated at the terrace of a café or hidden under a carriage gate, the young artist drew passers-by and teams of horses, before sharing his first pictorial attempts with Matisse. His drawings revealed a genuine talent for capturing a silhouette or posture in a few quick brushstrokes of India ink.

Woman, Child and Man from Behind is from the set of street sketches made to illustrate the second edition of Charles-Louis Philippe's Bubu de Montparnasse. The artist spent the summer of 1904 working tirelessly on the project, only to have his drawings rejected by the editor in the end. A short time later, Marquet announced to his friend Matisse, "This time, Bubu is completely dead. I received a letter from Philippe telling me that the illustrator Grandjouan had been given the commission."

Highly disappointed, for he was very attached to these India ink drawings, the artist decided to present them at the Salon d'Automne of 1904, along with some of his recent works featuring wide and bird's eye views of his new neighbourhood, Porte de Saint-Cloud. These small, quickly drawn figures would reappear in his landscape paintings, particularly those from the quays of the Seine in 1905–1906.

Artworks in context : Graphic arts (18)

Pablo PICASSO (1881-1973), The Beggar, 1904, watercolour on paper, 36 x 26 cm. © MuMa Le Havre / Charles Maslard — © Succession Picasso, 2013
Edgar DEGAS (1834-1917), Drapery Study. Study for Semiramis Building Babylon, ca. 1860-1862, graphite, Pierre Noire pencil and white gouache, on blue-grey laid paper, 32.8 x 31.3 cm. © MuMa Le Havre / Florian Kleinefenn
Charles de la FOSSE (1636-1716), Study for Saint John the Evangelist, red chalk reinforced with Pierre Noire pencil, traces of white chalk, 41.7 x 23 cm. © MuMa Le Havre / Florian Kleinefenn
Henri Edmond CROSS (1856-1910), Woman and Dog Among the Umbrella Pines, charcoal on laid watermarked paper bearing the Auguste Lepage stamp, 24.3 x 31 cm. © MuMa Le Havre / David Fogel
Albert MARQUET (1875-1947), Woman, Child and Man from Behind, ca. 1904, black ink on wove paper, 19.5 x 27.6 cm. © MuMa Le Havre / Charles Maslard — © ADAGP, Paris, 2013
Armand GUILLAUMIN (1841-1927), The Banks of the Orge at Breuillet, 1895, pastel on paper, 60 x 47 cm. © MuMa Le Havre / Charles Maslard
Henri Edmond CROSS (1856-1910), Sunset, watercolour on vellum paper. © MuMa Le Havre
Henri Edmond CROSS (1856-1910), Le Mourillon, 1906, watercolour and black pencil on thick vellum paper, 16.9 x 24.7 cm. Senn-Foulds collection. © MuMa Le Havre / Florian Kleinefenn
Edgar DEGAS (1834-1917), Saddle Horse, ca. 1862, graphite on tracing paper, 17.8 x 28.1 cm. © MuMa Le Havre / Florian Kleinefenn
Edgar DEGAS (1834-1917), Marguerite Degas, ca. 1859-1860, graphite on wove paper, 30.1 x 23.2 cm. © MuMa Le Havre / Florian Kleinefenn
Eugène DELACROIX (1798-1863), Six Studies of Cats, brown ink on vellum papier, 18.8 x 18 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), Fog at Sunrise, 1919, pastel on paper, 47 x 62 cm. © MuMa Le Havre / Florian Kleinefenn
Armand GUILLAUMIN (1841-1927), Maritime Pines, Creek in Le Brusc, ca. 1911, pastel on paper, 48 x 62 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), Bridge Over the Sédelle, Crozant, 1896, pastel on paper, 47 x 60 cm. © MuMa Le Havre / Florian Kleinefenn
Armand GUILLAUMIN (1841-1927), Woman's Head in Profile, 1878, pastel on paper, 47 x 32 cm . © MuMa Le Havre / Florian Kleinefenn
Albert MARQUET (1875-1947), Sinuous Woman (front), ca. 1904, Indian ink on wove paper, 28.5 x 18.8 cm. © MuMa Le Havre / Charles Maslard — © ADAGP, Paris, 2015
Odilon REDON (1840-1916), Profile of a Man with a Bouquet of Flowers, ca. 1880-1885, charcoal with black pencil, smudging, marks of erasing on vellum paper, 48.1 x 36.2 cm. Senn-Foulds collection. © MuMa Le Havre / Florian Kleinefenn
Armand GUILLAUMIN (1841-1927), Mill on the Creuse, 1896, pastel on paper, 47.5 x 61 cm. © MuMa Le Havre / Florian Kleinefenn