DEGAS, Saddle Horse

Edgar DEGAS (1834-1917), Saddle Horse, ca. 1862, graphite on tracing paper, 17.8 x 28.1 cm. © MuMa Le Havre / Florian Kleinefenn
Edgar DEGAS (1834-1917)
Saddle Horse
ca. 1862
graphite on tracing paper
17.8 x 28.1 cm
© MuMa Le Havre / Florian Kleinefenn
HD image
During the public sale of Degas' studio collection, Olivier Senn purchased three sets of drawings representing a total of twelve numbers on the theme of horse racing.
With a confident line, Degas draws the contours of the animal's body seen in profile. Using very fine cross-hatching, he shades the rounded forms of the horse to emphasize the intricacy of its muscles and joints, as well as the sheen of its short coat.
 
The silhouette of this race horse at a walk, its head down, is found in the first race scenes painted by Degas around 1862 featuring a frieze composition. It can be seen in At the Races, The Start at the Fogg Art Museum, in which the central horse in the foreground is depicted in a similar posture, the head only slightly more pulled down toward its chest, as well as in The Gentlemen's Race, Before the Start at the Musée d’Orsay, where the animal's head is largely hidden behind the croup of another horse in front of it. Mention can also be made of the 1862 drawing that Senn wished to acquire and is now held at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, At the Races, even though the horse has a different gait.
 
There are other drawings very similar to the Saddle Horse at MuMa. Degas seems to have produced several versions of the same drawing, as much to further his exploration as for the purpose of selling them.

Artworks in context : Graphic arts (18)

Pablo PICASSO (1881-1973), The Beggar, 1904, watercolour on paper, 36 x 26 cm. © MuMa Le Havre / Charles Maslard — © Succession Picasso, 2013
Edgar DEGAS (1834-1917), Drapery Study. Study for Semiramis Building Babylon, ca. 1860-1862, graphite, Pierre Noire pencil and white gouache, on blue-grey laid paper, 32.8 x 31.3 cm. © MuMa Le Havre / Florian Kleinefenn
Charles de la FOSSE (1636-1716), Study for Saint John the Evangelist, red chalk reinforced with Pierre Noire pencil, traces of white chalk, 41.7 x 23 cm. © MuMa Le Havre / Florian Kleinefenn
Henri Edmond CROSS (1856-1910), Woman and Dog Among the Umbrella Pines, charcoal on laid watermarked paper bearing the Auguste Lepage stamp, 24.3 x 31 cm. © MuMa Le Havre / David Fogel
Albert MARQUET (1875-1947), Woman, Child and Man from Behind, ca. 1904, black ink on wove paper, 19.5 x 27.6 cm. © MuMa Le Havre / Charles Maslard — © ADAGP, Paris, 2013
Armand GUILLAUMIN (1841-1927), The Banks of the Orge at Breuillet, 1895, pastel on paper, 60 x 47 cm. © MuMa Le Havre / Charles Maslard
Henri Edmond CROSS (1856-1910), Sunset, watercolour on vellum paper. © MuMa Le Havre
Henri Edmond CROSS (1856-1910), Le Mourillon, 1906, watercolour and black pencil on thick vellum paper, 16.9 x 24.7 cm. Senn-Foulds collection. © MuMa Le Havre / Florian Kleinefenn
Edgar DEGAS (1834-1917), Saddle Horse, ca. 1862, graphite on tracing paper, 17.8 x 28.1 cm. © MuMa Le Havre / Florian Kleinefenn
Edgar DEGAS (1834-1917), Marguerite Degas, ca. 1859-1860, graphite on wove paper, 30.1 x 23.2 cm. © MuMa Le Havre / Florian Kleinefenn
Eugène DELACROIX (1798-1863), Six Studies of Cats, brown ink on vellum papier, 18.8 x 18 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), Fog at Sunrise, 1919, pastel on paper, 47 x 62 cm. © MuMa Le Havre / Florian Kleinefenn
Armand GUILLAUMIN (1841-1927), Maritime Pines, Creek in Le Brusc, ca. 1911, pastel on paper, 48 x 62 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), Bridge Over the Sédelle, Crozant, 1896, pastel on paper, 47 x 60 cm. © MuMa Le Havre / Florian Kleinefenn
Armand GUILLAUMIN (1841-1927), Woman's Head in Profile, 1878, pastel on paper, 47 x 32 cm . © MuMa Le Havre / Florian Kleinefenn
Albert MARQUET (1875-1947), Sinuous Woman (front), ca. 1904, Indian ink on wove paper, 28.5 x 18.8 cm. © MuMa Le Havre / Charles Maslard — © ADAGP, Paris, 2015
Odilon REDON (1840-1916), Profile of a Man with a Bouquet of Flowers, ca. 1880-1885, charcoal with black pencil, smudging, marks of erasing on vellum paper, 48.1 x 36.2 cm. Senn-Foulds collection. © MuMa Le Havre / Florian Kleinefenn
Armand GUILLAUMIN (1841-1927), Mill on the Creuse, 1896, pastel on paper, 47.5 x 61 cm. © MuMa Le Havre / Florian Kleinefenn