Continuum

from June 03 to September 04, 2006

Jesper JUST (1974), Invitation to love, 2003, DVCAM, 8 minutes. Copenhague, galerie Christina Wilson. © Jesper Just
Jesper JUST (1974), Invitation to love, 2003, DVCAM, 8 minutes. Copenhague, galerie Christina Wilson. © Jesper Just
Claude CORMIER (1960), Pergola art installation, Le Havre, 2006, 90,000 brightly coloured Christmas ornaments. Collection de l’artiste. © Claude Cormier
Claude CORMIER (1960), Pergola art installation, Le Havre, 2006, 90,000 brightly coloured Christmas ornaments. Collection de l’artiste. © Claude Cormier
Hervé ROBBE (1961), So long as baby… Love and songs will be, 2006, 2 walls of angled mirrors, 4 plasma screens, 4 music listening stations, 4 cycles on 4 screens, texts and fiction films on the screens. Le Havre, Centre chorégraphique national — Le Phare. © CCNHHN / Hervé Robbe
Hervé ROBBE (1961), So long as baby… Love and songs will be, 2006, 2 walls of angled mirrors, 4 plasma screens, 4 music listening stations, 4 cycles on 4 screens, texts and fiction films on the screens. Le Havre, Centre chorégraphique national — Le Phare. © CCNHHN / Hervé Robbe
Carsten HÖLLER (1961), The Elevator, 2004. Anvers, galerie Micheline Szwajcer. © Carsten Höller — © ADAGP Paris 2006
Carsten HÖLLER (1961), The Elevator, 2004. Anvers, galerie Micheline Szwajcer. © Carsten Höller — © ADAGP Paris 2006
Dana CLAXTON (1959), Rattle, 2003, video installation with 4 channels (4 DVD), 140 x 365 cm. Collection de l’artiste. © Dana Claxton
Dana CLAXTON (1959), Rattle, 2003, video installation with 4 channels (4 DVD), 140 x 365 cm. Collection de l’artiste. © Dana Claxton
Edward RUSCHA (1937), Sex At noon Taxes, 2002, acrylic on canvas. Collection particulière. © Ed Ruscha
Edward RUSCHA (1937), Sex At noon Taxes, 2002, acrylic on canvas. Collection particulière. © Ed Ruscha
Michael SNOW (1928), Vueeuv, 1998, colour photograph on suspended translucent material. New York, galerie Jack Shainman. © Michael Snow
Michael SNOW (1928), Vueeuv, 1998, colour photograph on suspended translucent material. New York, galerie Jack Shainman. © Michael Snow
TUNGA (1952), Alindromo, 1989, magnets, iron, copper, 92 x 70 x 165 cm. São Paulo, galerie Luisa Strina. © All rights reserved
TUNGA (1952), Alindromo, 1989, magnets, iron, copper, 92 x 70 x 165 cm. São Paulo, galerie Luisa Strina. © All rights reserved
Ger van ELK (1941-2014), The Symmetry of Diplomacy III, 1972, photographs painted with aerosol. Amsterdam, Stedelijk Museum. © Ger van Elk
Ger van ELK (1941-2014), The Symmetry of Diplomacy III, 1972, photographs painted with aerosol. Amsterdam, Stedelijk Museum. © Ger van Elk