Mathey - Donation: Drawings

MuMa welcomes seven new drawings from the collection of Olivier Senn. A generous donation from his grandson by marriage, Pierre-Maurice Mathey, these drawings are a coherent addition to the collection donated by Hélène Senn-Foulds in 2004.
Two new drawings by Edgar Degas confirm the collector's admiration for the artist's early works, having purchased a considerable number (at least 81) from the four public sales of the artist's studio collection following his death in 1917. The same applies to Camille Pissarro's work—with a drawing and a very rare monotype—of which Senn purchased pieces as early as 1900, and later in 1931 seven drawings at a public auction. Two colourful pastels by Armand Guillaumin have also been added to the beautiful set donated by Hélène Senn-Foulds. They were likely purchased directly from the artist, with whom the collector was on friendly terms.

A knowledgeable collector of paintings, Olivier Senn was also an avid collector of drawings. With intelligence and sensitivity, he compiled a coherent and highly personal collection, carefully choosing major pieces by a few artists he appreciated especially, such as Degas, Cross, Boudin, Guillaumin and Marquet.
Edgar DEGAS (1834-1917), Man leaning forward, arms crossed in front of him, ca. 1865, pencil, 36.5 x 24.5 cm. © MuMa Le Havre / Charles Maslard
Edgar DEGAS (1834-1917), Man leaning forward, arms crossed in front of him, ca. 1865, pencil, 36.5 x 24.5 cm. © MuMa Le Havre / Charles Maslard
Edgar DEGAS (1834-1917), Woman sitting by the water. Study for the painting: Mademoiselle Fiocre in the Ballet La Source, ca. 1867-1868, pencil, 36.1 x 23.6 cm. © MuMa Le Havre / Charles Maslard
Edgar DEGAS (1834-1917), Woman sitting by the water. Study for the painting: Mademoiselle Fiocre in the Ballet La Source, ca. 1867-1868, pencil, 36.1 x 23.6 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), Agay Valley, pastel on paper, 47.2 x 62.2 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), Agay Valley, pastel on paper, 47.2 x 62.2 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), The Banks of the Orge at Breuillet, 1895, pastel on paper, 60 x 47 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), The Banks of the Orge at Breuillet, 1895, pastel on paper, 60 x 47 cm. © MuMa Le Havre / Charles Maslard
Camille PISSARRO (1831-1903), Three Women and Girl Strolling, from Behind, black pencil and black ink wash on wove paper, 18.5 x 15 cm. © MuMa Le Havre / Charles Maslard
Camille PISSARRO (1831-1903), Three Women and Girl Strolling, from Behind, black pencil and black ink wash on wove paper, 18.5 x 15 cm. © MuMa Le Havre / Charles Maslard
Camille PISSARRO (1831-1903), Four Women Bathing in a River, monotype on wove paper, 20.5 x 15.5 cm. © MuMa Le Havre / Charles Maslard
Camille PISSARRO (1831-1903), Four Women Bathing in a River, monotype on wove paper, 20.5 x 15.5 cm. © MuMa Le Havre / Charles Maslard
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Works acquired in 2015 (2)

Henri Edmond CROSS (1856-1910), Study for Provençal Landscape, 1898, oil on wood, 23 x 32 cm. © MuMa Le Havre / Charles Maslard
Armand GUILLAUMIN (1841-1927), Agay Valley, pastel on paper, 47.2 x 62.2 cm. © MuMa Le Havre / Charles Maslard